Peter Macapia cv
\nEDUCATION
\nPh.D. Columbia University, 2003
\nMajor: Theory and Criticism \/ Rosalind Krauss, John Rajchman Advisors
\nMinor: 19th Cent. Arch. Theory and History \/ Barry Bergdoll Advisor
\nDissertation: Wittgenstein and Minimalism: The Problem of Meaning and Intention
\nM.Phil. Columbia University, 2000
\nM.A. Columbia University, 1997
\nM.T.S. Harvard University, 1993
\nB.F.A. Rhode Island School of Design, 1989<\/p>\n
2001-Current Founder, Principal, Director, labDORA, architectural design and research, New York
\n2008-Current Founder, Peter Macapia Studio<\/p>\n
SOLO EXHIBITIONS
\n04.2014 \u201cBorroworrob,\u201d HDLU, Zagreb, Croatia
\n04.2012 \u201cLegendary Psychasthenia,\u201d Liberatum, Hong Kong
\n09.2011 \u201cOrigins of Distance,\u201d Sebastian Barquet, New York
\n04.2010 \u201cBirth of Physics,\u201d Sebastian Barquet, New York
\n06.2009 \u201cShip of Theseus,\u201d Nous Gallery, London
\n06.2009 \u201cSkullcracker,\u201d Angstrom Gallery, Los Angeles
\n04.2009 \u201cSwarm,\u201d Bridge Gallery, New York<\/p>\n
SELECTED GROUP EXHIBITIONS
\n03.19 Priveekollektie Contemporary, Pad Monaco, Monaco, curated M. and I. van Dijk.
\n12.18 Christian Dior, Dior as Seen by . . . Empire of Separation, Icon Siam, Bangkok, curated Dior.
\n12.18 Priveekollektie Contemporary, Art Miami, Miami, curated M. and I. van Dijk.
\n06.18 Christian Dior, Dior as Seen by . . . Empire of Separation, SK A4 Boutique, Taipei, curated Dior.
\n04.18 Priveekollektie Contemporary, Spring Group Exhibition, Heusden, curated M. and I. van Dijk.
\n09.18 Priveekollektie Contemporary, Spectrum of Time, Heusden, curated M. and I. van Dijk.
\n12.17 Priveekollektie Contemporary, Art Miami, Miami, curated M. and I. van Dijk.
\n05.17 Priveekollektie Contemporary, Art New York, curated M. and I. van Dijk.
\n03.17 Priveekollektie Contemporary, Brooks Mews Group Exhibition, London, curated M. and I. van Dijk.
\n10.17 Multiverse, Paris, AA [n+1] Gallery, curated Leslie Ware
\n03.17 Priveekollektie Contemporary, London, Mayfair, curated M. and I. van Dijk.
\n12.16 Priveekollektie Contemporary, Art Miami, Miami, curated M. and I. van Dijk
\n04.16 Christian Dior, Dior as Seen by . . . Empire of Separation, Dusseldorf, Langen Foundation, curated Dior
\n06.14 Office US, Storefront for Art and Architecture, Venice Biennale
\n09.13 Permanent Exhibition, FRAC Centre, Orl\u00e9ans
\n04.13 \u201cReading Rooms,\u201d Gallery Sebastian Barquet, New York, curated Matthew Weinstien
\n04.13 \u201cAs the Eye is Formed,\u201d Parrish Art Museum, Water Mill, New York, curated Peter Campus
\n09.12 \u201cGeddes International,\u201d Storefront for Art and Architecture, New York, curated Eva Franch
\n06.12 “Dentelles d’architectures,” Mus\u00e9e-Mine d\u00e9partemental \u00e0 Cagnac-Les-Mines, France
\n05.12 Christian Dior, Dior as Seen by . . . Empire of Separation, Tokyo, curated Herve Mikhailov
\n04.12 \u201cObject Milieu,\u201d L\u2019ESAD, Orl\u00e9ans, France
\n04.12 \u201cDiagramme(s),\u201d Dessin Contemporain, ESA, Paris, curated S. Devabaktuni, J. Sautereau
\n04.12 \u201cDirty Geometry,\u201d Object-Milieu, L\u2019ESAD, Orl\u00e9ans, France
\n04.12 \u201cOff to Sea Once More,\u201d Feng-Shuing the Panopticon, Actual Size, Los Angeles, Katie Herzog
\n12.11 Public Occupation, Storefront for Art and Architecture, New York, curated Eva Franch
\n05.11 \u201cAudi Urban Future Awards,\u201d New York, curated Mark Kushner
\n04.11 Christian Dior, Dior as Seen by . . . Empire of Separation, Shanghai, curated Herve Mikhailov
\n08.10 \u201cChiachiarita,\u201d Sebastian Barquet, New York, curated Nick Kilner
\n03.10 Metal Ball, Museum of Art and Design, New York
\n10.09 \u201cArchiteture et dentelle,\u201d la Maison de l\u2019architecture et de la ville, Lille, France
\n09.09 \u201cDigital Primitivism,\u201d Center for Architecture, Lisboa, curated by Katerina Tiazzoldi
\n10.08 \u201cImmaterial Process,\u201d Beijing Biennial, Beijing, curated A. Andrasek, N. Leach, X. Wei-Guo
\n09.08 \u201cLight,\u201d Norman Schaffler Gallery, Brooklyn, curated Keith Sonnier
\n09.08 \u201cNatural and Artificial Behavior,\u201d Bridge Gallery, New York, curated Marilyn Garber
\n12.08 \u201cSeroussi Pavilion,\u201d AA School, London, curated Brett Steele
\n11.07 \u201cNew Work,\u201d Johnson Trading Gallery, New York, curated Paul Johnson
\n09.07 \u201cScriptedbypurpose,\u201d Fuel Collection, Philadelphia, curated Marc Fornes
\n09.07 \u201cPavilion Seroussi,\u201d Maison Rouge, Paris, curated Elias Gounoun
\n02.07 \u201cThe Computational Turn,\u201d Maison de l\u2019Architecture et de la Ville, Marseille, curated P. Morel
\n05.05 \u201cBeyond Media,\u201d Media Festival, Florence Italy, curated M. Brizzi
\n04.05 \u201cNew Architecture New York,\u201d Tokyo University, Tokyo, curated D. Hirose<\/p>\n
ARTIST IN RESIDENCE
\n06.11 l\u2019entreprise culturelle, Paris, France
\n08.10 Pilchuck Center for glass, Washington State, USA<\/p>\n
INSTITUTIONAL and PRIVATE COLLECTIONS
\nPermanent Collection, Dirty Geometry, FRAC Centre, Orl\u00e9ans, France
\nM. and L. Sternberg, New York
\nJ. Huth, London and Berlin
\nN. Seroussie, Paris
\nVarious private collections, Mexico City<\/p>\n
PERFORMANCES AND INSTALATIONS
\n04.2012 \u201cInterview with 101 South Lane Office Building,\u201d Performance, Liberatum, Hong Kong
\n12.2011 \u201cSilent Manifesto,\u201d Performance, Storefront for Art and Architecture, New York
\n06.2011 \u201cNotice of Appearance,\u201d various sites, Paris
\n04.2011 \u201cIn Search of Medusa,\u201d Metropolitan Museum of Art
\n03.2011 \u201cMembers Only: Empire of Separation,\u201d Museum of Art and Design, New York
\n05.2009 \u201cSwarm2,\u201d Museum of Contemporary Art, Chicago<\/p>\n
SELECTED GRANTS, FELLOWSHIPS
\n2019 Taconic Fellowship: Space, Narrative, and Immigration
\n2017 Research Grant, Materials and Structures in Informal Settlements, Pratt Institute
\n2014-2016 Altair Technology Software Grant
\n2013 FACE\/Croatia Arts Link Grant
\n2004-2006 Co-Author (PI Jack McGourty, SEAS), NSF Department Level Reform Grant
\n2004-2006 Co-Author, Co-Principal Investigator, (PI Patirica Culligan) Columbia University Academic Quality Fund, \u201cToward New Urban Ecologies,\u201d
\n2005 Faculty Grant, Architecture and Infrastructure Tokyo, Pratt Institute<\/p>\n
AWARDS AND HONORS
\n1996-2002 Columbia University President\u2019s Fellowship
\n1993-1994 Columbia University President\u2019s Fellowship
\n1990-1992 Harvard University Divinity School Graduate Scholarship
\n1985-1989 Rhode Island School of Design Undergraduate Scholarship<\/p>\n
EXHIBITIONS CURATED
\n04.14 \u201cCurrency as Space,\u201d open invitation exhibition, HDLU, Zagreb, Croatia
\n04.13 \u201cThe Small Where,\u201d Vito Acconci, Ivan Argote, Pauline Bastard, Theodore Fivel, Luciana Lamoth, Opus Gallery, New York
\n07.09 \u201cWild Child,\u201d Marc Fornes, Ben Aranda, Tom Wiscombe, Marcello Spina, Bridge Gallery, New York
\n04.07 \u201cLine, Grid, and Network,\u201d Pratt Institute, Brooklyn<\/p>\n
INVITED LECTURES
\n11.14.17 L\u2019\u00c9cole Nationale Sup\u00e9rieure d’Architecture Paris-Malaquais, Paris, \u201cSpace and Force,\u201d with Jeremy Lecomte and Philip Morel.
\n11.11.17 AA [n+1] Gallery\/Area Institute, Paris, \u201cDrawing and Erasure,\u201d with Philp Morel
\n02.19.14 Yale Graduate School of Architecture, \u201cThe Function of a Function: The Politics of Space\u201d
\n04.03.13 University of Technology Sydney, Architecture, \u201cThe Unique Phenomena of Distance\u201d
\n11.15.12 School of Visual Arts, MFA program, New York, Visiting Artist Lecture
\n10.21.12 \u00c9cole Sp\u00e9ciale d\u2019Architecture, Paris, \u201cLegendary Psychasthenia\u201d
\n07.27.12 RMIT, Department of Architecture, Melbourne, \u201cForce of Law\u201d
\n10.20.11 Technical University Delft, Department of Architecture, \u201cPlaying With Fire\u201d
\n11.26.09 L\u2019\u00c9cole Nationale Sup\u00e9rieure d’Architecture Paris-Malaquais, Paris, \u201cAfter the Night Watch\u201d
\n04.23.09 Kent State School of Architecture, Kent State University, Kent, \u201cCartesian Wax\u201d
\n03.19.09 The Drawing Center, New York, \u201cBlind Leading the Blind\u201d
\n01.19.09 Princeton University, Graduate Program in Architecture, Princeton, \u201cWar And Peace\u201d
\n01.17.09 Sci-Arc, Los Angeles, \u201cThe Smell of Geometry\u201d
\n03.22.08 Estonian Academy of Arts, Tallinn, Estonia, \u201cGeometria Conflictus\u201d
\n12.10.06 University of Pennsylvania, Graduate School of Architecture, Philadelphia, \u201cKinds of Sublime\u201d
\n11.05.06 L\u2019\u00c9cole Nationale Sup\u00e9rieure d’Architecture Paris-Malaquais, Paris, \u201cOn the Prehistory of Computation\u201d
\n03.29.06 \u00c9cole Sp\u00e9ciale d\u2019Architecture, Paris, \u201cPressure\u201d
\n03.28.06 \u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Paris Belleville, Paris, \u201cDirty Geometry\u201d
\n03.20.05 Nasa Goddard Institute for Space Studies, \u201cHybrid architecture,\u201d New York
\n03.25.05 Columbia University, Fu School of Engineering and Applied Mathematics, New York, \u201cEngineering Space\u201d
\n10.24.04 University of Pennsylvania, Graduate School of Architecture, Philadelphia, \u201cCrunk Space\u201d
\n11.15.03 Pratt Institute, Graduate Program in Architecture, New York, \u201cComputational Matter\u201d
\n09.27.02 Columbia University, GSAPP, New York, \u201cCrossing the line: A material history of geometry\u201d
\n03.14.02 Columbia University, GSAPP, New York, \u201cTati\u2019s Playtime: The shelf life of modern geometry\u201d<\/p>\n
CONFERENCES SYMPOSIA
\n03.08.19 Organizer and Moderator, \u201cDialogues on Justice: Boundaries, Borders, and Immigration,\u201d Pratt Institute, Brooklyn New York
\n04.16.15 \u201cMatter and Force in Choisy,\u201d Society of Architectural Historians Conference, Chicago, Andrew Benjamin Moderator
\n08.04.14 Moderator and Organizer, \u201cDoubling Space\u201d and \u201cSpace as Asset,\u201d HDLU, Zagreb
\n02.24.14 \u201cDistributions: Foucault\u2019s Lectures on the Will to Know,\u201d Foucault Society, SUNY, New York
\n10.19.13 Moderator, \u201cPerforming Change: Ontologies of Media Art Interventions,\u201d Eyebeam, New
\nYork, Paolo Cirio organizer
\n04.20.12 \u201cLiving for the City,\u201d Altair Engineering Conference, Detroit
\n02.22.11 Panelist, Architecture and the Death of Drawing, Center for Architecture, New York
\n03.19.10 \u201cDirty Geometry,\u201d Donald Judd on Art and Design, Judd Foundation, New York
\n06.15.09 \u201cShip of Theseus,\u201d Synathroisis Conference, Hellenic Institute of Architecture, Athens, Yota Alindou organizer
\n07.30.09 \u201cMaterial Feedback,\u201d Storefront for Art and Architecture, New York, Rob Ley organizer
\n03.24.08 \u201cThe Algorithm,\u201d Nonstandard Geometry Conference, National Autonomous University of Mexico (UNAM), Mexico City, Jose Alvarez organizer
\n11.16.07 \u201cDirty Geometry,\u201d Karoake Seroussi, AA School, London, Brett Steele organizer
\n10.11.06 Moderator, Bites, Bits, Bricks, University of Pennsylvania Graduate School of Architecture, Philadelphia, Cecil Balmond and David Ruy organizers
\n05.02.06 \u201cGeometry under pressure,\u201d Computational Matter Conference, \u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Paris-Malaquais, Paris, Philippe Morel organizer
\n10.22.05 \u201cMixology,\u201d Cosmopolitanism and Place Conference, University Technology Sydney, Sydney, Andrew Benjamin organizer
\n12.05.05 \u201cHedonist Geometry,\u201d SCRIPT Conference, Florence, Italy, Marco Brizzi organizer
\n03.21.05 \u201cSweet Honey Structure,\u201d CS-FEM Conference, Tokyo University of Science\/Archi Complex, Tokyo, Minoru Mizuno organizer
\n11.29.03 \u201cThe Material Life of Geometry,\u201d The Intimate Metropolis, AA School, London, Vittoria di Palma organizer
\n03.18.03 \u201cRates of Change: Computation and Matter,\u201d American Collegiate Society of Architects Annual Conference, Miami, Ali Rahim organizer<\/p>\n
CONFERENCES\/LECTURES ORGANIZED
\n04.08.19 Pratt Inst., \u201cDialogues on Justice: Borders, Boundaries and Immigration, \u201c with Arlene Keiser
\n04.08.14 HDLU, Zagreb, Croatia, \u201cDoubling Space,\u201d Vito Acconci, Paolo Cirio, Franklin Boyd, Tomislave Tomasevic, Teadore Celakoski, Ana Husman, Sonja Lebos, Bojan Mucko, Marko Salapura
\n03.21.06 Columbia University, GSAPP \u201cComputation, Matter, and Geometry,\u201d Alisa Andrasek, Philippe Morel, David Ruy<\/p>\n
SELECTED PUBLICATIONS (by Peter Macapia)
\nMacapia, P., Un detail de ce qui change, AD, Summer 2014, ed. Mark Garcia
\nMacapia, P., The Geddes International, Interventions Journal, Columbia University, vol. 2, No. 2, July 2013
\nMacapia, P., Looking at the City, Aspect Magazine, September, 2012, volume 20
\nMacapia, P., What is Manhattan Grid for Architects, A+U, no. 493, October 2011, p. 12.
\nMacapia, P., B. Cache, From Geometry to Industry, Interview with Bernard Cache, ADRD, http:\/\/www.adrd.net\/crowdcast\/video\/9.html
\nMacapia, P., State of the Art: For and Against Rationalism, TARP, Spring, 2010
\nMacapia, P., Question: On Space and Power, Cambridge Architecture Journal, no. 19, 2009
\nMacapia, P., Singularities, Proceedings of the 6th International Conference on Computation of Shell and Spatial Structures IASS-IACM 2008: \u201cSpanning Nano to Mega,\u201d Cornell, 2009
\nMacapia, P., Influence, Spread Art and Culture, vol. 4, Spring 2009
\nMacapia, P., Diaggrama Agon, Nous Gallery, London, 2009
\nMacapia, P., Gross Topology, Rafaat, A., Ed., Tall Buildings, MA no. 35 (Tehran: Memari Iran, 2009)
\nMacapia, P., Dirty Geometry, Log No.10, Fall, 2007
\nMacapia, P., Turbulent grid part 1: dirty geometry, Arch\u2019It, January 2007
\nMacapia, P., Turbulent geometry, International Workshop Computational Morphogenesis, Nagoya
\nMacapia, P., Rates of change: computation and design, ACSA Annual Review, January 2005
\nMacapia, P., The material grain of geometry: A conversation with Alejandro Zaera-Polo, Log, no. 3, September 2004
\nMacapia, P., Performative architecture: beyond instrumentality, ed. B. Koralevic (London: Spon Press, 2004). *contribution of work to cover image, not essay
\nMacapia, P., Edge Unlimited, Architecture Review Australia, 90, September 2004.
\nMacapia, P., Some notes on analytical instruments, in Ed Keller ed., Chronomorphologies (New York: Columbia Books on Architecture, 2003)<\/p>\n
SELECTED PUBLICATIONS (on Peter Macapia)
\nMorel, P., Peter Macapia\/labDORA, Architectures exp\u00e9rimentales 1950-2010, Brayer, M.-A., Ed. (Paris: HYX, 2013)
\nRuotolo, P., Peter Macapia: Legendary Psychasthenia, Domus, February 2013
\nZarrella, K., Nobel Laureates Take Hong Kong, Interview Magazine online, May 2012
\nZarinsky, M., Storefront Occupy, DSN Radio, Jan 12, 20012
\nPadovano, G., Complessit\u00e0 e Sostenibilit\u00e0 nel progetto (Rome: Gangemi, 2012)
\nYokayama, K., The New York Grid, A+U, no. 12, September 2011
\nStewart, M., Top Ten Emerging Architects, PinUp Magazine, no. 10, Spring\/Summer 2011
\nBurry, M., ed., Scripting Cultures: Architectural Design and Programming (London: Wiley, 2011)
\nGoldfarb, M, Ed., Architectural Inventions: Visionary Drawings (New York: Mark Batty 2012)
\nHirose, D., New Directions: Sustainability and Technology in New York, A+U, no. 476 , March 2010
\nEdwards, M., The Artist\u2019s Eye, Interior Design, August, 2009
\nWei-Guo, S., Architectural Beijing Biennial, World Architecture, Vol. 4, 2009
\nDe Looz, A., Dora\u2019s Dirty Deeds, PinUp Magazine, no. 6, Spring, May 2009
\nYudina, A., Peter Macapia, Monitor Magazine, no. 53, February 2009
\nEzichielle, C.,Tra Logiche et Principe: intervista Peter Macapia, Io Architetto, V. 4, no. 2, March 09
\nDella Para, A., Architettura della Vita: Interview with Peter Macapia, Genitronsviluppo, http:\/\/www.genitronsviluppo.com\/2008\/12\/09
\nMoreno, S., \u201clabDORA seating based on Fluid Dynamics,\u201d ID Magazine, June 2008
\nGendall, J., Ranch House, Architectural Record Online, May 2007<\/p>\n
SELECTED PRESS
\n\u201cIn Search of Symmetry,\u201d Kulturpunk.hr
\nPeritz, Romina, “Peter Macapia at the HDLU: Manet’s Waitress, Foucault and Marx on Coffee,” 03.08.14, Jutarni Kultura, online art journal.
\nBa\u010di\u0107 , Toma, \u201cThe Invisible Forces of Society,\u201d
\nAltain Inc., \u201cPeter Macapia, LabDORA, Architecture,\u201d 2014, https:\/\/3hti.com\/wp-content\/uploads\/2015\/11\/PMacapia_inspire_cust_story_WEB.pdf
\nColihan, J., \u201cTheoretical Project for United Nations Performing Arts Center,\u201d Forbes, May 2013
\nYakas, Ben, \u201cNYC Of 2030,\u201d Gothamist online magazine, May 4, 2011,
\n\u201c5 Drafts for Manhattan, 2030,\u201d Detail online, 5.16.11. https:\/\/www.detail-online.com\/article\/5-drafts-for-manhattan-2030-14298\/
\nOsterhout, Jacob, \u201cHow will NYC Look in 2030?\u201d, New York Daily News, 05.11.11
\nCampoy-Leffler, N., \u201cThe Real Miami Heat: Miami Basel,\u201d Huffington Post, November 29, 2010
\nMessler, S., IHeartNYC, Huffington Post, August 10, 2010
\nCoagula Art Journal, July 20, 2009,
\nBergstrom-Katz, Sasha, Artslant, \u201cPeter Macapia\u2019s Skullcracker\u201d, Artslant 6\/15\/09 https:\/\/www.artslant.com\/ny\/articles\/show\/7996-peter-macapias-skullcracker
\nMeyers, H., \u201cReview: Peter Macapia at Angstrom Gallery,\u201d Los Angeles Times, July 19, 2009
\nChaplin, Julia, \u201cDesign of the Times,\u201d Wallpaper, December 2007, p. 101-104<\/p>\n
MANUSCRIPTS IN PREPARATION
\nPeter Macapia, \u201cAuguste Choisy and Force: The Beginning of 20th Century Architecture,\u201d article in preparation
\nPeter Macapia, Distributions: Witness and Space in Archaic and Classical Greece, book in preparation
\nPeter Macapia, Function of a Function: The Genealogy of Force, book in preparation<\/p>\n
TEACHING
\n2001-Current Pratt Institute, Adjunct Associate Professor CCE, Graduate Architecture and Urban
\nDesign (GAUD), Brooklyn; History, Theory, Advanced Design Studio
\n2015 Parsons\/The New School for Social Research, Visiting Faculty
\n2009-2011 Southern California Institute of Architecture (Sci-Arc), Adjunct Assistant Professor, Los
\nAngeles; Theory, History, Engineering, Design
\n2001-2008 School of Visual Arts, Adjunct Professor, Art History and Theory
\n2001-2006 Columbia University, Adjunct Assistant Professor, Graduate School of Architecture,
\nPlanning and Preservation (GSAPP), New York; Theory and History, Design Studio
\n2004-2005 Columbia University, Visiting Professor, Fu School of Engineering and Applied Science,
\nStructural and Environmental Engineering<\/p>\n
WORKSHOPS
\n09.2018-19 \u201cMichel Foucault: The Problem of Justice,\u201d Brooklyn Public Library
\n04.2013 Master Class, Liberatum, Hong Kong
\n10.2010 \u201cWildness,\u201d Technical University Delft, on algorithmic design and architecture
\n11.2009 \u201cSeed Sovereignty,\u201d L’Ecole Nationale Sup\u00e9rieure d’Architecture Paris-Malaquais, on algorithmic design and urban typology
\n11.2006 \u201cGradient Structure,\u201d Sci-Arc, innovative structural design using Finite Element Analysis
\n10.2006 \u201cTurbulent Grid,\u201d \u00c9cole Sp\u00e9ciale d’Architecture, advanced scripting and urban morphology in collaboration with Jacques Sautereau\u2019s \u201cSeminar de la ville\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"
Peter Macapia cv EDUCATION Ph.D. Columbia University, 2003 Major: Theory and Criticism \/ Rosalind Krauss, John Rajchman Advisors Minor: 19th Cent. Arch. Theory and History \/ Barry Bergdoll Advisor Dissertation: Wittgenstein and Minimalism: The Problem of Meaning and Intention M.Phil. Columbia University, 2000 M.A. Columbia University, 1997 M.T.S. Harvard University, 1993 B.F.A. Rhode Island School […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/pages\/867"}],"collection":[{"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/comments?post=867"}],"version-history":[{"count":4,"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/pages\/867\/revisions"}],"predecessor-version":[{"id":957,"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/pages\/867\/revisions\/957"}],"wp:attachment":[{"href":"https:\/\/petermacapia.com\/studio\/wp-json\/wp\/v2\/media?parent=867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}